Award-winning
composer/lyricist
Timothy
Huang
(The
View
from
Here, And
the
Earth
Moved)
has
launched
a Rockethub.com crowd
funding
campaign
for
a
workshop
of
his
latest
passion
project,
a
new
musical
called Costs
of
Living.
Huang
was
inspired
to
create Costs
of
Living after
reading Night
and
Day,
an
article
which
appeared
in
the New
York
Times in
2009,
that
tells
the
story
of
two
immigrant
cab
drivers
who
take
opposite
shifts
off
the
same
medallion.
While the day shift driver (Eng) encounters successes, his night shift partner (Chin) continues to encounter obstacles until the two find themselves on opposite sides of an ever widening gap and in a dangerous escalation that leaves one dead and the other brutalized.
It is, at its heart, a human story, an American story and a cautionary tale lending voice to the unspoken dangers of freedom without social consciousness or oversight. It is a story of love and country, resilience and responsibility, the price of freedom and the costs of living.
“The last ten years of my career have been about finding ways to make the things that move me move other people,” said Huang. “And with tremendous support and feedback from the Asian American community and the BMI Musical Theatre Workshop (where this project originated) I feel like Costs of Living has found a unique balance.
The Asian American International Film Festival handed out the 2012 Awards for feature and short films before the closing night screening of Michael Kang’s Knots, at the Clearview Chelsea Cinemas in New York on August 5, 2012. The awards ceremony was emceed by spoken word artist Kelly Zen-Yie Tsai.
Knots director Michael Kang and writer and star Kimberly-Rose Wolter at the 35th Asian American International Film Festival Closing night screening of Knots, at the Clearview Chelsea Cinema in New York on August 5, 2012. Photo by Lia Chang
This year, the Asian American International Film Festival, presented by Asian Cinevision (ACV), featured 50 New York premieres-narrative and documentary features, and shorts-of all genres from The Philippines, Taiwan, China, Japan, Korea, UK, Canada and across the Asian Diaspora.
Presenter Kelly Zen-Yie Tsai, a spoken word artist, presents the AAIFF Audience Choice Award for Narrative Feature to Lily Mariye for Model Minority at the Clearview Chelsea Cinemas in New York on August 5, 2012. Photo by Lia Chang
Audience Choice Awards:
Lily Mariye’s Model Minority (photo courtesy of Nice Girl Films)
The
Audience
Choice
Award
for
Narrative
Feature
was
presented
to
Lily
Mariye,
an
actor,
screenwriter
and
director,
whose
impressive
debut
feature MODEL
MINORITY,
follows
the
story
of
L.A.
teenagers
trying
to
navigate
the
treacherous
world
of
peer
pressure,
drug
dealers,
juvenile
hall
and
dysfunctional
families.
August
19,
2012 (Updated
August
29,
2012
with
screening
dates
and
video
of
SAG
Foundation's
conversation
with
cast
members
Linus
Roache
and
Michael
Park, and
producer/writer/actor
Derek
Ting.)
by
Lia
Chang
Don't
miss
these
screenings!:
(more
listings
below)
SAN
FRANCISCO
-
August
24
-
30
at
the
Landmark
Opera
Plaza
Cinema,
601
Van
Ness
Ave,
San
Francisco,
CA
94102
LOS
ANGELES
-
August
31
-
September
6
at
the
Laemmle's
Noho
7,
5240
Lankershim
Blvd.,
Los
Angeles,
CA
(North
Hollywood,
CA
91601)
Kudos to Derek Ting, for taking control of his destiny, pursuing his dream and realizing his vision with his eleven year journey from inception to the big screen. Derek is the writer, producer and star of $upercapitalist, a financial thriller set in Hong Kong directed by award-winning filmmaker Simon Yin. Ting's film debuts in theaters this month, and is available now through your local cable TV station's video-on-demand, and online at many outlets including iTunes and Amazon Video. (Top image L to R: Lia Chang, $upercapitalist writer, producer and lead actor Derek Ting, producer and Derek's wife Joyce Yung Photo by Francois Bonneau).
I met Derek and his wife, Joyce Yung, a producer on the film, when the Screen Actors Guild Foundation hosted a special 'Conversations' advance screening of $upercapitalist, at the NYIT Auditorium on Broadway in New York.
$upercapitalis